Actor/production manager Tanya Zaleschuk emceed this private screening event for local independent film, âThe Starvation Proclamation,â to a packed house at the Lone Pine Film History Museum on Oct. 20. Photo by Marilyn Blake Philip
The private screening of a 100-percent, locally-made independent film was embraced with great attendance, loud laughter and great applause over the weekend.
On Saturday, Oct. 20, the Lone Pine Film History Museumâs 80-seat theater went standing-room-only at the premier of âThe Starvation Proclamation,â a 30-minute Stainless Films western comedy based on Mark Twainâs political satire, âCannibalism in the Cars.â Cast, crew, producers and friends and family were in attendance for the indieâs private screening. âIt played like a professional film,â said Lone Pine Film History Museum Director Chris Langley.
The idea for âThe Starvation Proclamationâ was born three years ago, added Langley, which is when filmmaker Jesse Steele and actress Tanya Zaleschuk âshared their enthusiasm for the project with me.â Steele is the founder and creative director of Stainless Films production company. Zaleschuk is the filmâs production manager. Eastern Sierra Community Film Project was formed under the umbrella of Stainless Films âbased on the fact that more talented and exceptional filmmakers, musicians, artists, actors and all-around creative people live in the Eastern Sierra than anywhere in the world,â states www.stainlessfilms.com. âWith so much natural beauty and landscape to draw from and inspire them âŠ it makes perfect sense.â
That accomplished, Steele and Jason Crockett, both of whom wrote, directed and acted in the film, began filming six months ago. And it happened amidst ongoing rehearsals and performances of âHello Dolly,â âTaming of the Shrewâ and âHonk, Jr.â for Playhouse 395âs childrenâs theater workshop, explained Zaleschuk who was also involved in the plays as well as the film.
By 7 p.m. on Saturday night, the Lone Pine Film History Museum parking lot overflowed, guests poured into the museum, mingling with cast and crew â all awaited the 7:30 p.m. private screening of âThe Starvation Proclamation.â And the audience just ate it up â eventually.
In a case of life imitating art, the event, expected to be about an hour long, ended up lasting about three times that, due to technical difficulties. However, no thoughts of cannibalism entered the movie-goers minds; the hors dâoeurve platters by Jen Simpson kept coming and the sparkling cider and champagne kept flowing.
At 7:30 p.m., the packed house viewed the museum documentary âWhere the Reel West Meets the Real West.â Then, actor Zaleschuk, emceed the screening event, interacting with the audience, inviting cast and crew members to the stage and filling in with factual anecdotes about âThe Starvation Proclamation,â from genesis to screening â all of which was met with ongoing audience applause, laughter and even frequent participation.
Mid-merriment, the audience got a first-hand taste of âthe show must go onâ when Zaleschuk announced that Steele was still editing and would be heading to Lone Pine at any moment. âThey said it would take three weeks âŠ Here itâs six months later.â (Langley later said that Steele had had to step in for the original editor who was unable to continue with the project mid-stream.)
Crockett, who is also the ESCFP director, talked about the genesis of the film. One day, âJesse said âWhat can we do on a limited budget? What can we do in this area, using what we have here?ââ he said. Crockett had recently read âCannibalism in the Cars,â a political satire about a train full of politicians who become stranded in a blizzard in the Sierra mountain wilderness. And as weeks wore on and provisions dwindled to nothing, facing starvation, they start casting about for ideas about what they could do on their limited budget with what they had at hand. VoilĂ , the seeds of âThe Starvation Proclamation.â
The film only alludes to cannibalism and with Twainâs notorious razor-sharp wit, two potentially fatal topics â starvation and the political process â were interwoven.
Crockett said the community devoured the opportunity to give their time, labor and love to the film. Everything was donated, said Zaleschuk. Filming took place at Laws Railroad Museum. Playhouse 395 donated costumes. Novice and professional actors alike gave freely of their time. Mill Creek Station owner Roger Derryberry brought professional film lighting equipment and his lighting expertise. Jason Fernandez wrote the score. And play director Crockett made his film directorial debut. He said the whole experience was a real learning opportunity, an eye-opening mixture of hard work and sheer joy.
As champagne and sparkling cider were served in the house, intern Abi Nabiha related the nearly 50-member castâs experience with the âblistering hotâ temperatures and âa lot of sweat and face powderâ during the three-day April shoot inside Laws cars. Zaleschuk thanked âBishop and Big Pine high schools for allowing us to share our craft by letting interns work with us. We love you, interns.â Portrait artist Angel Patten of Long Beach, via Ridgecrest and Bishop, received recognition for creating her first movie poster.
Zaleschuk also expressed heartfelt gratitude to Inyo Council for the Arts for all their support.
Suddenly, the emcee held up her cell phone and announced, âHeâs in Lone Pineâ and the audience cheered Steeleâs impending arrival. The show went on with more banter between the folks on stage and the folks in the house at 8:35 p.m., when Steele burst through the house door, ran full tilt down the aisle, open laptop held aloft, to great applause. (The DVD was still being burned in the laptop at that point, Langley later explained.)
Then, the second wave of delays hit when the DVD wouldnât sync with the theaterâs projector â even though the morningâs trial run there had been successful, said Langley. Despite great effort, synchronization eluded the crew. At one point, Steele looked up from his laptop, grinning broadly. âI can see it here and itâs awesome.â The audience clapped and someone called out, âTurn it around,â to more laughter.
Hitting an optimistic note, Zaleschuk said Steele had opted not to show the film at this monthâs Lone Pine Film Festival to avoid jeopardizing the submission of âThe Starvation Proclamationâ to Sundance Film Fest, which requires that all submissions have their public premier at the festival.
Eventually, Manuel Ruiz, Langleyâs film intern who had worked with Hollywood writer/director Quentin Tarrantino on âDjango Unchainedâ when it shot here earlier in the year, suggested a solution. The entire audience reconnoitered in the atrium where Steele ascended a ladder while museum staff furnished him with a DVD player, cables and a stack of museum gift shop hard backs. With the DVD player attached to the wall-mounted atrium TV and perched atop the books stacked on the ladder, the curtain finally opened on âThe Starvation Proclamation,â a film that was long-awaited on various levels.
The credits rolled and the story was told. The witty screen play took the light-hearted, humorous tone so famously woven throughout all of Twainâs legendary works, states the filmâs website. The story featured Samuel Clemmons (Steele) who pulled increasingly alarmed comic close-ups as The Gentlemen (Bob Struckman) relayed with great relish, the events of those long-gone days on that snow-bound train full of his peers, with little but an impromptu lottery system and one another for sustenance.
The cast delivered punchy dialogue and visual jokes that kept the audience laughing out loud when they werenât leaning into the plotâs escalating tension. Against the Sierra backdrop, the authentic period costumes, train and town settings were so engaging that the rough cutâs few remaining green screen scenes were barely noticed and soon forgotten. And the PG-rated short only alluded to grizzly acts of survival; no cannibalism or gory images were shown.
Langley said he thought the film was really outstanding, âremarkably literate and really captured the humor of Twain.â It is difficult to do a story in a snowbound setting, he added, and the storm, shot in the Carson City area, was very convincing. Crockett was able to âscoop up enough talentâ to cast the film with a range of talent from Inyo and Mono counties, trying to match the actorsâ personalities to their characters, resulting in very natural performances, said Langley.
Even the rough cut revealed a film made to âa high standard of professionalism,â said Langley, âJesse plans to tweak it, to make it tighterâ in the final cut.
âThey had a âdo not surrenderâ attitude,â in the face of much adversity, said Langley. The production crew and cast rose above the obvious financial, logistical and other constraints inherent in low-to-no-budget filmmaking.
Once the film ended, audience members gave feedback and Max Cox, the Death Valley car operator at Laws, said that heâd had his doubts when the filmmakers first approached Laws. But now, âIf you ever decide to do another Spaghetti western, come to Laws.â Screen Actors Guild actor Brian Brummit, who played The Gentleman in his youth, expressed admiration and gratitude to Steele, Crockett and Zaleschuk. âThey had the drive to overcome so many obstacles and handle them âŠ seeing the project through, no matter what âŠ like tonight.â
âItâs an amazing thing to be part of. We need to do more of this here,â said Steele of filmmaking in the Sierra. âIâm very proud of this film.â
Stainless Filmsâ next film is âThe Diaries of Eden,â a comedy about the ups and downs of Adam and Eveâs relationship; itâs tag line is âEven the first couple had issues.â Zaleschuck said, âItâs the original Men are from Mars, Women are from Venus.â The production company is also in the process of creating a documentary on Laws to be combined with âThe Starvation Proclamationâ on one DVD, with all proceeds going to Laws.
For more information, to view trailers and/or to make a donations, visit http://stainlessfilms.com or the Facebook page: Eastern-Sierra-Commuity-Film-Project-The-Starvation-Proclamation.